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Screen

2006  
Trailer, Emil Goh, Screen

1986  
La Gourmandise, Manuel Gomez, Screen

1998  
2005  
Breaking Up, Tina Gonsalves, mobile

Mobile telephone technologies are having profound effects on the nature of communication. Spatial distance combines with social proximity, allowing mediated nomadic intimacies to flourish. Bad bandwidth, infrastructure, and blank spots break it down again. Breaking Up explores the effects of mobile communication failure.

2001  
Hollow, Tina Gonsalves, Screen

Hollow explore self-esteem and body image. The camera scans the flesh of the body, allowing the viewer to see marks of pain, emotional trauma and disease. It asks how he stores emotions and memory on a cellular level. This piece reflects the way the mind work, forever shifting, changing and...

2002  
I Don't Feel O.K, Tina Gonsalves, Screen

I Don't feel O.K is a reflection on displacement, self-loathing and self-destruction. I can't sit still. I can't eat. I can't talk. I am paralysed in this moment and I want you to feel the way that I do.

2005  
Somewhere in Between Version 2, Tina Gonsalves, Takeko Akamutsu, Screen

1998  
Swelling, Tina Gonsalves, Screen

a pathological dissection of diseases, tumours and corporeal abnormalities, mutated into abstractions of the internal body.

2003  
 
Sortiment 4, Rainer Grams, Screen

2000  
Suspicious, Brent Grayburn, Screen

1989  
Art Ad, Maj Green, Screen

2014  
L.A.S, David Greenhalgh, digital artwork

L.A.S is constructed from creative commons and public domain media. This process is intended to reflect the constructed nature of historical recollection and storytelling. Whilst the documentary format appears to have narrative integrity, it quickly reveals itself to be false. The aim of this ‘false documentary’ form is to create...

1997  
Medusahead, Andree Greenwell, Screen

2002  
The Dreams (Part 1 : Falling), Christina Greve, Carsten Schulz, Screen

1999  
Infinitude, Mic Gruchy, Screen

 
Empire, Ian Haig, Screen

2004  
2005