Established by the One Extra Company in 1999, ReelDance began as a response to the growth in dance screen work being made in dance arenas overseas, and the need to foster a burgeoning field of practice in Australia. Under the guidance of founding director Erin Brannigan we...
In 1985 the video scene in Sydney had reached a point where there were enough people making video works - whether art, documentary, video music or computer graphic - to begin to make it important and possible to have a collective show of recent works.
One-person exhibition by Joan Brassil at Rosyln Oxley9 Gallery.
Joan Brassil, Stranger in the Landscape exhibition at Roslyn Oxley9 Gallery.
"This is a performance drawing animation that includes the artist as a player. You witness the development of the artwork – every step becomes a frame. This work is about the art-making process, about the ecological time and the built environment. On a political level, the work shows the loss...
Tour Dates: 13 Feb - 5 Apr 2015 - Artspace McKay 6 Jun - 18 Jul 2015 - Tamworth Regional Gallery 27 July - 12 Sep 2015 - Western Plains Cultural Centre 21 Sep - 31 Oct 2015 - Grace Cossington Smith Gallery 16 Nov 2015 - 25 Jan 2016 - Riddoch Gallery 26 Feb -...
The Helen Lempriere Travelling Art Scholarship, valued at $60,000, provides financial assistance for a visual artist at the start of their career to undertake a one to two year program of study or training overseas.
‘Contemporary Australia: Women’ — the second in the Gallery’s Contemporary Australia exhibition series — celebrates the diversity, energy and innovation of contemporary women artists working in this country today.
Curated by: Mark Feary
In this performance, projection and installation, artist Lauren Brincat attempts to valiantly harness the power of the sun, reflecting its energy and warmth back towards the viewer. This double-act of reflection is performed using a crash cymbal from a drum kit. The artist uses the cymbal to...
The first formulation of Fluorescent is a 3-screen synchronized DVD with Dolby 5.1 surround sound, commissioned by the Art Gallery of New South Wales' Contemporary Art Projects in 2004. Taking the hyperbolic performative aspects of the narcissistic video-clip, this gallery presentation creates a mega-widescreen stage from which the audience is centred and...
by Philip Brophy, Errol Gooding, Raph Kerle Video by Philip Brophy presented by Sydney Theatre Company Capitol Theatre, Sydney
The Premier of Queensland’s National New Media Art Award is Australia’s most significant prize for new media art. Seven artists and collaborations were short-listed for the biennial acquisitive award: Philip Brophy (VIC), Nigel Helyer (NSW), Chris Howlett (QLD), Isobel Knowles and Van Sowerwine (VIC), Wade Marynowsky (NSW), Soda_Jerk (NSW) and Lynette Wallworth (NSW).
Sense of Place is a new annual screening program of contemporary Australian video art, featuring the work of 8 artists unified by their investigation of cultural identity.
As part of the deep immersion program of residencies and events, ANAT and Melbourne-based Asialink have initiated a new media residency in Asia.
Exhibition of Australian video art travelling to: 1994 Scene Nationale Les Plateaux, Angouleme, France Espace Lyonnais d'art Contemporain, Lyon, France Dalhousie Art Gallery, Halifax, Nova Scotia, Canada Cornell Cinema, Ithaca, New York, USA 1995
Peter Callas, Kiru Umi No Yoni (Cutting like the ocean), video installation, Roslyn Oxley9 Gallery.
Peter Callas takes up position as video artist in residence at the Marui Koendori Television/Ring World, in Tokyo, Japan. This is a seminal moment for Callas, and marks the start of a new approach to the making of video art works for a variety of contexts.
Retrospective Pixel Gallery and Piros-Fekete Gallery, Millenáris Park, Budapest, Hungary (2006) Tamás Waliczky: On Peter Callas, in Three Acts
Asialink Touring Program to Malaysia, India, China & Korea: videos and prints, 2002-03.Galeri Petronas, Kuala Lumpur, Malaysia (2002); “Multimedia Art Asia-Pacific”, Art Museum of the China Millennium Monument, Beijing, China (2002); National Gallery of Modern Art, Mumbai, India (2002), “JIFF MIND”, Jeonju International Film Festival, Jeongu, Korea (2003) The first comprehensive...
Video & Television Festival ’92, Spiral Hall, Tokyo 1992 Curator: Peter Callas Australian Artists: John Gillies & the Sydney Front, Jill Scott, Micheal Hill, Simon Biggs
In her durational performance, 1001 nights cast, Barbara Campbell cast a story into the ether every night for 1001 nights from 21 June 2005 to 17 March 2008. Each story had been written for her during the day by a pool of (by the end) 243 writers...
