With Theo Botschuijver, Sean Wellesley-Miller and Tjebbe van Tijen.
With Theo Botschuijver.
The installation has a large cylindrical projection screen with a round motorised platform in its centre, a computer and three video projectors that project onto a 120-degree portion of the screen. Continuous rotation of this viewing window around the screen reveals the full 360-degree computer-generated...
In this installation a rotating platform allows the viewer to interactively rotate a projected image within a large circular projection screen and explore a three dimensional virtual environment constituted by an emblematic constellation of panoramic locations and cinematic events.
Points of View was a 'theatre of signs' with both stage and protagonists being provided by a three-dimensional computer graphics simulation that was video projected onto a large screen in front of a seated audience. The action of the work was controlled by one member of...
In this interactive laser-disc-based work the viewer has to push a protruding steel bar to rotate a column-mounted monitor which in turn animates the images on its screen. A friction plate forces the viewers to exert themselves physically. Turning the monitor in one direction, the...
During Imagina '93 computer graphics installations in Monte Carlo and in Karlsruhe were connected by modem through a conventional telephone line. Facing large video screens, the two distant players each shared the same virtual image space. While manipulating their own graphic elements each person was...
This new version of The Legible City (1989) encompasses all the experiences offered by the original version, but introduces an important new multi-user functionality that to a large extent becomes its predominant feature.
This work is constituted by a white pedestal on which there stands an LCD colour monitor connected to computing machinery by a cable running through the pedestal. The viewer of this work picks up and holds this monitor in his hands. The screen shows a representation...
With Theo Botschuijver. Produced for the Genesis wourld tour, 1975.
In The Legible City the visitor is able to ride a stationary bicycle through a simulated representation of a city that is constituted by computer-generated three-dimensional letters that form words and sentences along the sides of the streets. Using the ground plans of actual cities...
With Dirk Groeneveld.
The Net.Art Browser is a means of conjoining information space with the museum space and hybridizing the interactivity of surfing the Internet with the museum tradition of wall mounted images. While painting, cinema and TV construe images inside a fixed frame, the notion of 'augmented ...
The Virtual Museum is a three-dimensional computer-generated museum constituted by an immaterial constellation of rooms and exhibits. A round, motorised rotating platform is furnished with a large video projection monitor, a computer, and a chair from which the viewer interactively controls his journey through The...
With Theo Botschuijver.
T_Visionarium was created for the UNSW iCinema Centre’s Advanced Interaction and Visualisation Environment (AVIE), and it offers the means to capture and re-present televisual information, allowing viewers to explore and actively edit a multitude of stories in three dimensions. For T_Visionarium, 28 hours of digital free-to-air...
A video monitor on the floor faces upwards and over its screen there is a transparent container filled with water. At the center of this container is an opening through which a bubble of air can be electronically released causing the water to ripple outwards in...
With Theo Botschuijver.
In Waterquake long lengths of tubing were dropped into a canal and then slowly inflated with air and smoke. The tubing emerged from the water, filling the canal and then spilling over into the surrounding streets. The spectators pulled and knotted these tubes into various...
The Waterwalk was a 3-metre-high tetrahedron shaped balloon made from transparent (and sometimes coloured) plastic. A watertight zip allowed people to enter and be sealed inside. When this lightweight structure was inflated with air, one or more persons could 'walk on water' by stepping and...
With Theo Botschuijver.
The theory of networks and networking has provided radical new insights into the underlying processes of nature, economy, and society. The Web of Life project was conceived as a multi-disciplinary project that conjoins art and science to give form and expression to this important new realm of ...
Artist statement:
An evocation on time, perception and existence through painting, drawing, animation installation, 3D and holography. Slippages explores the combined narratives and dreams of an elderly couple. Installation at Tamarind Art Gallery 142 East 39th Street New York
Domesticity 1.0 is an installation comprised of a physical sculptural component and accompanying audio component. The idea of Domesticity 1.0 came about through being a mother, working and studying full time, through conversations with friends and their situations, and consideration of different cultural backgrounds. The physical component of Domesticity 1.0...
