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Video

1986 7 Aug 7 Sep  
Recent Australian Video Installation, Video Installation

Recent Australian Video InstallationAustralian Centre for Contemporary Art, Melbourne. The exhibition was specifically “mounted to coincide with the visit of Mr John Hanhardt, Curator of Film and Video at the Whitney Museum of American Art, and the tour of the Whitney exhibition, New American Video: A Historical Survey, 1967 – 1980.”1

1982  
SAND the Stimulant, Jill Scott, Video

Performance installation with closed circuit video, and sound produced with Revolving Desert Simulators (1978)  1

1977  
Taped, Boxed, Hung, Strung (1977), Jill Scott, Videotape

Taped, Boxed, Hung, Strung (1977), 3/4” U-matic, colour. The four 1975 performances documented on video1 

1981  
The Magnetic Tapes (1981), Jill Scott, Video

The Magnetic Tapes (1981), 3/4” U-matic, color. Three narrative videotapes Voyeurism (6min)Dictatorship (6min)Retaliation (6min)

2008  
Wait, Ashley Scott, Video

Shown at Chrissie Cottier Gallery, Sydney, 2008.

1986 30 Jul16 Aug  
New York City Video, video exhibition

An exhibition of video works by New York based artists Vito Acconci, Dara Birnbaum, Kristine Diekman and Karen Bell, Lauren Ewing, Kit Fitzgerald and John Sanborn, Matthew Geller, Joan Logue, John Sanborn, Bill Seaman, Michael Smith, Martha Wilson and Bill Viola curated by Brad Buckley in association with the First...

2014  
I am unicorn, Amanda Seddon, Video

My work explores social and personal mythologies as thematic bases within a heterogeneous art practice. These particular film works I am unicorn and The piano battle are derived from my contemplation into celebrity and...

1985  
We Have Come To Bless The House, Severed Heads, Video

An urgent edit by Stephen Jones 1985 from an earlier long form video 'Kato Gets The Girl', as we had no video for TV promotion in the UK. We had never expected to need one :-) Shot around Sydney in 1984 by myself and then processed using...

2014  
Rhythm, Shaked Shamir, Video

The correlation between stillness and movement are the foundations of this work. I used a combination of collage work and video to create it and I feel the constantly changing rhythm of the movement gives an opportunity to gaze at the still image as well.    Shaked Shamir, Rhythm, 2014, animation, 0:43 min

1986  
Anamorphoses of Memory, Jeffrey Shaw, Video Installation

With Dirk Groeneveld.

1993  
Disappearance, Jeffrey Shaw, Video Installation

  In this work the movement of a large video monitor mounted on an industrial fork-lift truck creates a virtual representation of a larger than life size ballerina. As the forklift moves the monitor up and down the ballerina is presented from head to toe, and as...

2001  
PLACE-Urbanity, Jeffrey Shaw, Video Installation

PLACE-Urbanity is based on the earlier prototype of the panoramic interactive paradigm as explored in PLACE — A User’s Manual commissioned by and premiered at Neue Galerie am Landesmuseum Joanneum, Graz, Austria in 1995. In this prototype the viewer interactively rotated a projected image around a circular screen...

2011  
V, Justin Shoulder, Video

V is one of Justin Shoulder’s fantastic creatures. This contemporary demon draws from the lineage of worldly fantastic creatures that have enriched human stories since the beginning of expression. V is a cycle of perpetual indulgence in ego and self-idolatry. It is beautiful, humorous and horri c.

2009  
Breathless, Sumugan Sivanesan, Video

From the series Die Laughing, Or Die Trying. An occasional ongoing series documenting a set of self inflicted, potentially comedic and generally pointless near death experiences.

2009  
Yer Mad, Yer Bastard, Sumugan Sivanesan, Video

From the series Die Laughing, Or Die Trying. An occasional ongoing series documenting a set of self inflicted, potentially comedic and generally pointless near death experiences.

2011  
Cameraman, Sam Smith, Video Installation

Shot in 2011 on location in Berlin, this two-channel video installation presents a sequence of events that take place between a film set, a cameraman’s apartment and an artist’s studio. The fractured narrative involves two camera lenses – one real and one sculpted by the artist....

2008  
Control Structure, Sam Smith, Video Installation

Single channel HD video installation, stereo, colour, 1080p, 16:9 4.30 minute loop            

2001  
Indefinable Moods, Kathy Smith, 3D Animation

Artist statement:

2009  
Into the Void, Sam Smith, Video

2006  
Passage, Sam Smith, Video

Single channel HD video, surround, colour, 1080p, 16:9 6.30 minutes

2010  
Permutation Set, Sam Smith, Video Installation

4 channel HD video, 4 x stereo, colour, 1080p, 16:9 20 seconds times 16,777,216 permutations

2007  
Slimer, Sam Smith, Video Installation

2 channel HD video installation, stereo, colour, 1080p, 16:9

2007  
Street Shift, Sam Smith, Video Installation

Single channel HD video installation, silent, colour, 1080p, 16:9 12.35 minute loop            

2007  
Video Camera [HDW-F900/3], Sam Smith, Video Installation

Single channel HD video installation, silent, colour, 1080p, 16:9 2.05 minutes