Early work by the artist Cathy Vogan on the subject of love with unusual objects.Choreography by Jean Marc Matos, Music by Kasper Toeplitz. Dancer: Anne Marie Brun. Hoover-robot by Jean Rene Bader.
Collaboration with Domink Barbier. Heiner Muller's Hamlet Machine, live on stage, premièred in July 2003 at Marseille with lead-up performances in Lyon & Amsterdam.
Leni Riefenstahl faces Busby Berkley in a game of chess...From the 1996 film "The Synchronizer" by Cathy Vogan.
4 Screen video installation and Kinetic object
10 Screen video installation
7 screen HD video installation
8 screen video installation with objects Originally commissioned by ACCA as The Helen Macpherson Smith Commission 2006
5 Screen video installation with objects
5 screen video installation.
Rhys Votano created this video artwork in Iceland during the Summer of 2015 with performer Svala Johansdottir and sound artist Eirik Boen Gravdal. For this work Votano used a photo-chromatzia style to retell the Norse myth of creation. The white appears like the ice of Nilfheim, signifying the blank nothingness before time.
5 video monitors, 1 slide projection, 5 found glass objectsDuration: ranges from aprox 9:30 to 20:00min each on loopVideo/sound: Julie Vulcan The video monitors and slide projection are installed throughout 3 spaces in the gallery. The monitors arranged variously on their backs, sides, up high or at eye level. Each video...
1 video monitor, 1 slide projector, 1 fishtank, 1 found wooden sideboardVideo/sound: Julie Vulcan
3 video monitorsVideo/sound: Julie Vulcan Three monitors arranged variously on the floor, one on its back and two horizontally. The images merge graveyard angels with natural rock formations. The layers entwine and slowly merge emitting an unearthly glow. The work evolved through reflections on western disconnections between life and death and...
2 video monitors, found objects – wood, corrugated iron, building rubbleVideo/sound: Julie Vulcan
3 video monitors, found objects – building rubble, partial sculpted head, blue vase, bricks, black materialVideo/sound: Julie Vulcan
I’m Sorry I Didn’t Ask is a meditative video that invites viewers to share in a moment of inspiration and connection, captured by the artist in a new city. The video was made by the self-imposed rule that image and audio should be created simultaneously. Ideas for the score were developed...
CINAMNESIA draws links between the twenty-four vertebrae in the human spine and the twenty-four frames per second in 16mm film whilst exploring the effects of film on the nervous system. A combination of performance and documentary on black and white 16mm film misplace experiences of time and movement. There is an examination...
This work thinks about the rings of Saturn and the gaps in between, known as divisions, as moving images spin through fields of space created by the interactive corporeality of 16mm film. In making this work, excerpts of 16mm film have been hand animated by Nikki Walkerden using scratch and...
7 mins A collection of memories, graphics and video with a strong narrative dialogue. A conceptually based piece outlining the past and present of 'Four Girls'.
Print Media is a literal take on the notion of ‘consuming images’ - here two people literally eat their own printed image over and over.
Douglas Watkin is a highly regarded Torres Strait Islander producer and director, renowned for his documentaries and dramas. Douglas is passionate about sharing Indigenous stories. The Queen and I tells the story of Douglas’ father, Edward Watkin's encounter with Her Majesty Queen Elizabeth II when she visited...
A digital film by Geoffrey Weary CAPTIVE explores the themes of repression, confinement and escape. These themes are expressed through the incorporation of grainy VHS footage shot in Berlin at the time of the collapse of the Berlin Wall, hand-held camera sequences shot in a maze-like forest and slices of footage...
Light/Strike a digital film by Geoffrey Weary
The Yangtze River is the largest river in Asia, spanning thousands of kilometres across Mainland China. As part of my creative interest in the resource of water in contemporary environments and...
