Works for the 12th Biennale of Sydney were selected by a panel of international curators and directors and included Fumio Nanjo, Louise Neri, Hetti Perkins, Sir Nicholas Serota, Robert Storr, Harald Szeemann and Nick Waterlow [chair]. Major video installation pieces by artists such as Mariko Mori were included.
Curated by Nick Waterlow, European Dialogue featured 131 artists from 19 countries. The exhibition's curatorial permise was based on questioning the "predominance of New York as the centre of the international contemporary art world. The exhibition explored the direct links between Europe and Australia and the influence of European art...
Curated by artistic director Jonathan Watkins.
Under the curatorship of artistic director Nick Waterlow, the Biennale of Sydney From the Southern Cross coincided with the Australian Bicentennial. Alonsgide a number of key works by early Modernists the exhibition also featured contemporary Japanse and Indigenous Australian art. The BOS was also exhibited in Melbourne.
The 10th Biennale of Sydney was curated by artistic director Dr. Lynne Cooke and "presented a re-appraisal of older reproductive technologies including photography, film and print media. The politics of identity, memory versus history, the fantastic and Gothic were key themes." [BOS Website].
Curated by Isabel Carlos. Various venues including the Art Gallery of NSW and the Museum of Contemporary Art.
Nick Waterlow was artistic director of the 1986 BOS. "The exhibition questioned the concept of what constituted originality in the work of artists as diverse as Malcolm McLaren, Eric Fischl and Carlo Maria Mariani. It explored the origins, death and resurrection of form and imagery, as well as the transition...
Under the cutarorial overview of artistic director Leon Paroissien the 5th Biennale of Sydney "focussed on the expression of private views and obsessions as well as broader political statements in the work of a diverse group of artists, including Hans Haake, Barbara Kruger, Tony Cragg and Gilbert and George." [BOS...
Curated by Carolyn Christov-Bakargiev the Biennnale of Sydney was exhibited at Cockatoo Island, the Art Gallery of NSW, Pier 2/3 Walsh Bay, the Museum of Contemporary Art, Sydney Opera House and the Royal Botanic Gardens.
Curated by David Elliot.
Artistic director Rene Block's The Readymade Boomerang was the 8th Biennale of Sydney and "examined the distinctive historical connections of the "readymade" from the early 1900s to the 1980s, based on the work of Duchamp, Man Ray and Picabia. A comprehensive satellite program of music, performance, lectures, symposia and workshops at...
Curated by William Wright Visions in Disbelief celebrated "the return to painting and more traditional forms of art, the exhibition also included separate performance, sound and video sections. The event was broad-based and included an extensive public program of lectures and conferences, as well as a dynamic satellite program of independent...
Curated by artistic director Charles Merewether the Biennale of Sydney was exhibited in 16 venues including including Pier 2/3, at Walsh Bay, the Art Gallery of NSW, and the Museum of Contemporary Art.
"The exhibition focused on artists who use fictions, fakes, invented methodologies and experiments as a basis for their work. The projects celebrated the potential of the creative act to generate alternative worlds, suggesting that our everyday belief systems may be constructed, hallucinatory and changeable." [BOS Website]. Curated by Richard Grayson...
Experimental electro-cabaret Bild-Lilli is the prequel to Knox's 2007 electro-cabaret Lapdog. It premiered in Melbourne, Australia in Malthouse Theatre’s Helium season in 2012 and was nominated for a Green Room Award for Innovation in Cabaret.
Blu Ray players were backwards compatible with the DVD and CD formats.
ZIP Performing Group Mark Ross, Tim Gruchy, David Clarke and Anthony Patterson Exploring multimedia and performance in the analogue world 1984-86 Developed in Brisbane performed throughout Australia
Closing The Loop (CTL) was an international research and performance project examining how sound, technology and gameplay can conspire to promote collaboration and inventiveness across networks. The CTL 2000 project aimed at investigating the effectiveness of techniques for net based collaboration. CTL 2000 was divided into two distinct phases. The first...
CLOUT - Fine Fragments A 60 minute multimedia performance devised by Tim Gruchy Music : Tim Gruchy, Mark Louttit, Eugene Carchesio Performers : Tim Gruchy, Virginia Barratt, Eugene Carchesio Performed in Brisbane, Sydney and Adelaide. Cassette and VHS releases
A 21st century revolution in fashion, art and design, the exhibition showcased the unique emerging genre of interactive, new-media textiles. Coded Cloth featured a new art form beyond the imagination, embedding technology into wearable fashion to create a new hybrid art and design.
Sydney Fillmmakers Co-op
Sean Gladwell and TV Moore employ video to express a variety of ideas and atmospheres which engage, manipulate and extend genres of the moving image within popular, global culture. Their common focus is a critical relationship to the history and current conditions of video within contemporary...
Contemporary Commonwealth Groundbreaking work by artists from countries across the Commonwealth Screen Gallery, Australian Centre for the Moving Image 2006 Contemporary Commonwealth is the second major collaborative survey of contemporary art presented by the National Gallery of Victoria (NGV) and the Australian Centre for the Moving Image (ACMI) at Federation Square. Presented byFestival Melbourne2006and...
ConVerge was a project developed by The Art Gallery of South Australia and the Adelaide Festival 2002 that explored the nexus between art, science and technology and its creative expression. The project comprised of: 2002 Adelaide Biennial of Australian Art - conVerge: where art and science meet, an exhibition which profiles a selection of work...
