Double Space (1985)Roslyn Oxley9 Gallery, Sydney, Australia. 6-24 August, 1985
Double Time (1985) Video tape and Installation with spectator interaction.
Shown at Don't Look Gallery, Sydney, 2007.
Single channel digital videoDuration: 03:17
Inside-Out (1976), performance, Haight-Ashbury (San Francisco) basement. With street access for spectators, surveillance video, light box, mice housed in aquarium.
Recent Australian Video InstallationAustralian Centre for Contemporary Art, Melbourne. The exhibition was specifically “mounted to coincide with the visit of Mr John Hanhardt, Curator of Film and Video at the Whitney Museum of American Art, and the tour of the Whitney exhibition, New American Video: A Historical Survey, 1967 – 1980.”1
Performance installation with closed circuit video, and sound produced with Revolving Desert Simulators (1978) 1
Taped, Boxed, Hung, Strung (1977), 3/4” U-matic, colour. The four 1975 performances documented on video1
The Magnetic Tapes (1981), 3/4” U-matic, color. Three narrative videotapes Voyeurism (6min)Dictatorship (6min)Retaliation (6min)
Triple Fate (1986) Single monitor Installation with game, water, sound, video and photographs.
An exhibition of video works by New York based artists Vito Acconci, Dara Birnbaum, Kristine Diekman and Karen Bell, Lauren Ewing, Kit Fitzgerald and John Sanborn, Matthew Geller, Joan Logue, John Sanborn, Bill Seaman, Michael Smith, Martha Wilson and Bill Viola curated by Brad Buckley in association with the First...
Passage Sets is a generative visual poem. It includes an interactive poem generator. The users of the system can position themselves in front of the screen and select words and/or phrases from four lists that become visual as they enter into differing proximities in relation to the screens. Moving forward...
Bill Seaman's first major interactive work was entitled The Watch Detail. Video images, sound and text that addressed the subject of time were explored interactively. This work employed Macintosh Hypercard media, that was used to control an interactive laserdisc. Thus the work became a meta-media time piece. A large database of...
My work explores social and personal mythologies as thematic bases within a heterogeneous art practice. These particular film works I am unicorn and The piano battle are derived from my contemplation into celebrity and...
An urgent edit by Stephen Jones 1985 from an earlier long form video 'Kato Gets The Girl', as we had no video for TV promotion in the UK. We had never expected to need one :-) Shot around Sydney in 1984 by myself and then processed using...
