I’m Sorry I Didn’t Ask is a meditative video that invites viewers to share in a moment of inspiration and connection, captured by the artist in a new city. The video was made by the self-imposed rule that image and audio should be created simultaneously. Ideas for the score were developed...
CINAMNESIA draws links between the twenty-four vertebrae in the human spine and the twenty-four frames per second in 16mm film whilst exploring the effects of film on the nervous system. A combination of performance and documentary on black and white 16mm film misplace experiences of time and movement. There is an examination...
This work thinks about the rings of Saturn and the gaps in between, known as divisions, as moving images spin through fields of space created by the interactive corporeality of 16mm film. In making this work, excerpts of 16mm film have been hand animated by Nikki Walkerden using scratch and...
7 mins A collection of memories, graphics and video with a strong narrative dialogue. A conceptually based piece outlining the past and present of 'Four Girls'.
Documentary, 27 minutes XDCAM EX 16:9 Anamorphic Widescreen Dolby Stereo
A major work for fulldome digital planetariums by acclaimed artist Lynette Wallworth. An extraordinary journey into a mysterious realm of fluorescent coral reefs, bioluminescent sea creatures and rare marine life, revealing a complex community living in the oceans most threatened by climate change. Artist's statement: "Imagine global co-operation for a...
Evolution of Fearlessness is an intimate, interactive installation dealing with loss, survival and strength. The work incorporates filmed portraits of several women, originating from countries such as Afghanistan‚ Sudan‚ Iraq and El Salvador. They have lived through wars‚ or survived concentration camps or extreme acts of...
Invisible by Night is a gently interactive video installation which responds to touch and presents a projection of a life–sized woman whose eternal pacing can be quietly interrupted by the viewer. Commissioned originally for The Melbourne Festival 2004, in response to the layered history of the site of...
Lynette Wallworth alternates between an interest in nature and in humankind. Just as she acknowledges the astonishing feats of the human spirit, she finds the extraordinary within nature.
Print Media is a literal take on the notion of ‘consuming images’ - here two people literally eat their own printed image over and over.