Photograph of Super8 Film. Part of Mark Titmarsh's Super8 collection.
Photograph of a Super8 Film Spool. Part of Mark Titmarsh's Super8 collection.
Photograph of a Super8 Mailer. Part of Mark Titmarsh's Super8 collection.
Photograph of a Super8 Splicer. Part of Mark Titmarsh's Super8 collection.
Photograph of a Tascam Multi-track Cassette Tape Recorder. Part of Mark Titmarsh's Super8 collection.
Photograph of a TEAC four-track reel-2-reel recorder. Part of Mark Titmarsh's Super8 collection.
Interviews with the artists conducted by dLux MediaArts as curatorial content for the survey exhibition 'Scanlines' which toured nationally in Australia, initially between February 2015 and March 2017.
Documentation from a number of key works by Mari Velonaki.
Continuum: The Australian Journal of Media & Culture vol. 8 no. 1 Electronic Arts in Australia Edited by Nicholas Zurbrugg Contents INTRODUCTION: Contemplating Electronic Arts PETER ANDERSON - Tim Gruchy: Electronic Media Art, Popular Culture and the Experimental Avant-Garde ARF ARF Interviewed by Nicholas Zurbrugg ROS BANDT Technology in Australian Sound Installations: Three Recent Approaches
John Gillies and the Craft of Video Nicholas Zurbrugg Writing in Trans-avantgarde International (1982) a mere decade ago, the Italian critic and curator Achille Bonito-Oliva argued that the whole “generalized situation of catastrophe” (p48) characterizing the late seventies and eighties had “caused the historical optimism of the avant-garde – the idea of...
