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Performance

2009 9 November  
Newsrub, Barbara Campbell, Performance

“Every day, people create events, that create words, that create pictures, that people see, that people touch, that people read, that people say, that people hear, that people mishear, that people argue against, that people refuse to believe, that people have barely scanned, that people don’t have time for, that...

1996  
Zero Hour, Barbara Campbell, Amanda Stewart, Stevie Wishart, Performance

zero hour was a live audio performance by Barbara Campbell with quest artists Amanda Stewart and Stevie Wishart. It was "a contemporary reconstruction of a 1944 broadcast of the same name. The original program was produced by Radio Tokyo and intended as a propaganda program for Allied troops in the Pacific. This audience...

1997  
Code Red, workshop/masterclass

CODE RED continued an ongoing international artists project which ANAT began in 1995 with Virogenesist, curated by Francesca da Rimini.

2004  
Backscatter, Robin Fox, Performance

Excerpt from backscatter dvd released in 2004 on Synaesthesia records

2009  
Five Creation Myths, Robin Fox, Performance

This content is sourced from the DVD which compliments the November 2009 'Arts of Sound' issue of Art Monthly Australia, guest edited by Douglas Kahn and co-presented by ANAT.

2007  
Immaculate Infection, Robin Fox, Performance

Exerpt from Synchresis DVD published by ANAT as part of its Embracing Sound [ES] Program (Filter Issue 66, 2007).

2007  
Laser Show, Robin Fox, Performance

Robin Fox’s laser show describes, in three-dimensional visual space, the geometry of sound. Enveloping the audience in synchronous sound and light information, the performance is designed to resemble a synaesthetic experience where what you hear is also what you see. The same electricity generated to move...

 
Tess de Quincey, Performance

Artistic Director of De Quincey and Co

2010  
Propositions, Leigh Hobba, Performance

Propositions is an investigation and development of a series of propositions, expressed through dance-performance and music, involving interdisciplinary collaborations, generated from ideas of absence, deep stories and moving stillness. Through on-going improvisations and a series of creative laboratory encounters, artists Wendy Morrow (dance) and Leigh Hobba...

1975 12 October  
Regions: a video music dance improvisation, Performance

Regions In 1975-76, Stephen Jones was working in Brisbane at the University of Queensland as a research assistant in the Psychology Department.

2010  
Rehearsing Catastrophe: the Ark in Avoca, Lyndal Jones, Video Installation

The Avoca Project is an international art project in regional Victoria, Australia, centred on Watford House. Referred to locally as 'The Swiss House', this pre-fabricated gold-rush residence was imported from Germany in 1850. The house is thus an immigrant, its walls revealing stories of wealth and...

2012  
Rehearsing Catastrophe: the Ark in Sydney, Lyndal Jones, Installation

The Avoca Project is an international art project in regional Victoria, Australia, centred on Watford House. Referred to locally as 'The Swiss House', this pre-fabricated gold-rush residence was imported from Germany in 1850. The house is thus an immigrant, its walls revealing stories of wealth and...

1972 23 May10 Jun  
Idea Demonstrations, Peter Kennedy, Mike Parr, Video

Presented at Inhibodress as Trans Art 1: Idea Demonstrations.

1990 18 May  
Fill, Performance

by Derek Kreckler Made for the 8th Biennale of Sydney: The Readymade Boomerang. Curator: René Bloch

2011  
Macrophonics, Performance

Macrophonics is a mediatized performance ensemble founded in 2011 and led by Julian Knowles and Donna Hewitt.  Macrophonics navigates the interface between humans and machines in performance – from sensor based microphones and wearable performance interfaces, to autonomous robots, live tape manipulation, gesture controlled light environments,...

2014  
Semaphor3, Rory McKay, Performance

Semaphor3 is a collaboration between Rory McKay on projections, Anatole on music and sound, and Sara Weir, dancing. Semaphor3 takes all its individual elements and pushes them further into a transfixing, hypnotic audio-visual show. Semaphor3 is an experiment in blending mediums and collaborating to create a kaleidoscopic sensory experience.  Projections...

2005 1930 Oct  
Nerve 9, Performance

Premier Season Nerve 9: the Flesh of Everyday Speech A dance score in 9 movements Dance & Direction Tess de Quincey Visual & Sonic Poetry Amanda Stewart Audio Visual Sequencing Debra Petrovitch

2010  
Bloodbath, Kate Richards, Performance

Live roller derby data and video jamming.

2008 7 8 Aug  
The Bland Project, Performance

Gravity Research Institute (GRI)Director: Alan SchacherPerformers: Ryuichi Fujimura, Teik-Kim Pok, Ari Ehrlich, Philip MillsDesign: Alan Schacher, Sean BaconVideo: Sean BaconFilm: Michelle MahrerComposer Musician: Boris BaberkoffLighting: Sydney BouhanicheMoving screen system: Russell Emerson

1976  
Accidents For Four, Jill Scott, Performance

Accidents For Four (1976) Studio, San Francisco; Spectator performances to instructions; recorded to video. [December, 1976] Photos: Bryan Hillstrom Sponsored by the Neighbourhood Arts Foundation, San Francisco.

1976  
Accidents For One, Jill Scott, Performance

Accidents For One (1976) Performance with live video."Open Studios", South of Market Series, Neighbourhood Arts Foundation, San Francisco, USA. Camera: Mark GillilandFlute: Carla Harryman Almorative Dance (1976), 1/2” B&W, 20 mins.Video: instructions for the performance: Accidents For One. Produced at the Bay Area Video Coalition.

1975  
Boxed, Jill Scott, Performance

Boxed (1975), Performance; 80 Langton St, San Francisco. Shipping crate driven across San Francisco to 80 Langton St gallery. Scott is packed into a shipping crate which is then delivered to the gallery. On arrival she emerges from the crate with photographs she attempted to take while in transit.1

1982  
Constriction, Jill Scott, Performance

The Constriction series is a work in four manifestations Constriction Part 1 (1982), 3/4” U-matic, colour, 14 mins.