Graffiti art by Meph, beatboxing by Ozi Batla from the Australian hip-hop group 'The Herd'. Shown at Performance Space, Artspace and Newcastle Regional Gallery, Campbelltown Arts Centre, and other venues.
Floral Gimp/Queer Decay draws from the lineage of feminist art, reclaiming the female body through performance and roleAreversal and using parody and play to examine persona, space and spirituality. Parallels are drawn between the...
Everything combines digital animation and 3-D computer modelling with video, photography and abstract painting. The virtual microcosm Alwast presents in the work is an entirely constructed digital ‘stage’ where potentially anything can be included. As the artist describes, the idea for the work stemmed from an experience of sitting at his...
Production stills
Using CG imagery and found video footage, Relics is a video animation of slow panning over a suburban housing estate being built within a geodesic glass dome. Within this hermetic environment, chrome blobs lay on the ground abstracting the human form with its embedded MRI scans of the artist's body,...
ShwAAA tower shoots out blobs from its core which morph into ready made suburbs. This fabricated suburban environment is a controllable content of the ShwAAA factory, however there is an entity in this landscape that disrupts the gaze of ShwAAA called The Spirit of The Plains. Somewhere between the real...
By Peter Alwast
