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Works

 
That camber feeling, Emmanuel Gasparinatos, Screen

 
The blind pay well, Emmanuel Gasparinatos, Screen

1985  
The Turntable Incident, Emmanuel Gasparinatos, Screen

Equipped with a curious recording of "text with instructions on the use of a self-hypnosis record, and a charismatic record player, I embarked on a vertiginous meditation on genre; 'theoretico-poesis in a 'sublime fragment' of 'fetish footage'.' Or just another sound tract in a different kitchen. Some voices have...

 
Turntable incident, Emmanuel Gasparinatos, Screen

 
“…or…”, Emmanuel Gasparinatos, Screen

2005  
ANTI-Chamber, Alex Gawronski, Video Installation

Presented at Whose Afraid of the Avant-Garde 3,  Performance Space, Sydney 2005; curated by Blair French Live video from micro colour CCTV cameraParticle Board, timber, MDF, carpet, photographs, perspex, glass, PVC plastic, TV monitor, micro video-camera, light, motor, paint, Letraset, art magazines

2007  
Civilized (version 2), Alex Gawronski, Video Installation

Presented at the Fauvette Loureiro Travelling Scholarship Award exhibition, Sydney College of the Arts galleries, 2007. Digital video, PAL, silent Duration: 7 sec loop repeated over approx 3mins, repeatedMDF, timber, stain, paint, perspex, tracing paper, video projector, DVD loop, PVC pipe, rope, eyelets, bolts  Rear projection of archival footage from the US led...

1999  
Enactment, Alex Gawronski, Video Installation

Presented at S-Hot, Artspace Sydney; curated by Nick Tsoutas, 1999. Digital video, PAL, B+W, silentDuration: 2min loop60 x speakers + aluminium housings, speaker cable, cassette deck + loop tape – crowd cheering – amplifier, video monitor, VHS player + video loop – thronging crowd from ‘October’ by Sergei Eisenstein.

2012  
Testing Ground, Alex Gawronski, Video Installation

Presented at Artspace, Sydney, 2012 Live video from micro colour CCTV cameraParticle board, PVC pipe, paint, MDF, masonite, woodgrain contact, carpet, speakers, microphones, cable, colour micro-video camera, data projector, photograph, perspex, brackets

2012  
The Invisible Man, Alex Gawronski, Video Installation

Presented at Artspace, Sydney, 2012 Digital video, PAL, B+W, silentDuration: Two loops 4mins eachPlasterboard, timber, mdf, acrylic, enamel, perspex, photographs, digital video, data projector.

2006  
Untitled (Standard Interval), Alex Gawronski, Video Installation

Presented at Unsound06; Loco-Motivus at Wagga Wagga-Brucedale-Coolamon-Junee; curated by Sarah Last + Wagga-Wagga Art Gallery, 2006. Digital video, PAL, silent Duration: 25minsTimber, stain, 2 x video monitors, 2 x DVD players, DVD loops

1996  
I Am Not Alone, Rebecca Geach, Screen

2000  
Sharkfeed, John Gech, web

20062008  
AreaContraPunctus IV, Adam Geczy, Video

5 channel digital video, sound, 5:12 minutes by Adam Geczy and Thomas Gerwin

2012 21 Mar29 Apr  
Beautiful Cities, Adam Geczy, installation with video

Exhibition by Adam Geczy at Artspace, Sydney. 

2007 13 Apr20 May  
Buried Alive, Adam Geczy, installation with video

Exhibition by Adam Geczy at the Contemporary Art Centre of South Australia

2006  
Long Ago, Adam Geczy, Video

Digitial video, sound, 3:24 minutes by Adam Geczy and Peter Sculthorpe

2008  
Thoughts of Home, Adam Geczy, Video

Digital video, sound, 5:30 minutes by Adam Geczy and Peter Sculthorpe

2001  
So far, so good, Andreas Gedin, Screen

20102011  
Zwischenräume, Petra Gemeinboek, Installation

Petra Gemeinboeck and Rob Saunders create environments that highlight society’s evolving relationship with increasingly intelligent machinery, and in doing so, demonstrate how machines are an integral part of our social fabric.

2005  
RL -, Geniwate, mobile

1991  
Freud, Tanja George, Screen

1991  
Split Story, Tanja George, Screen

1992  
God Awful Phrases, Andrew Georgiou, Screen

2002  
Friendly Fire, Mariam Ghani, Screen