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Works

2001  
Azur, Myriam Bessette, Screen

2003  
Nuee, Myriam Bessette, Screen

2000  
Nutation, Myriam Bessette, Screen

 
Liji Warrior Girl, Kate Beyon, Screen

1999  
Blocks, Renaud Bézy, Video

Renaud Bézy, France, Blocks, 1 min, 1999

 
2004  
Esker, Peter Blamey, Sound

2000  
Desert Rain, Blast Theory, Installation

2000  
Marine, A little lexicon, Rodlolphe Blois, Sound

 
TV dinner, Geoffrey Boccalatte, Julian Morgan, Screen

 
Colours of life, J. Bogle, Screen

1993  
Writing Joaquim, David Bolliger, Nicholas O'Sullivan, Screen

1987 327 Sep  
2nd Australian Video Festival - Two Video Installations, Video Installation

ART GALLERY OF NEW SOUTH WALES ALAN VIZENTS, SLEEP AND AWAKE (1983) - 3-27 September 1987 4 monitor video installation DENIS DEL FAVERO AND FILEF, LINEA DI FUOCO (1987) - 31 August-4 October 1987

2003  
Metapet, Natalie Bookchin, web

 
Bearing Desire, Simon Bourke, Screen

2011  
:: microstructures :: prototype ::, Kirsty Boyle, Works

:: microstructures :: prototype :: is a DIY process driven experiment investigating the microstructures of plants (moss), organisms (Artemia) and sound (“It’s a small world (after all)”). Three devices were sacrificed during this initial phase ~ a PS3 camera, ...

20092011  
Fragment, Kirsty Boyle, Performance

In a conscious departure to explore alternative robot morphologies, behaviours and aesthetics I began producing a work titled 'fragment'. The work is a series of modular robots handcrafted in a range of different materials. I have primarily presented this work as a process oriented performance via installation.

2008  
Ningyo, Kirsty Boyle, Single channel video work

An intimate video self-portrait of my own personal interactions and experiences with a Karakuri Ningyo (traditional Japanese mechanical doll).

 
Untitled, Chris Brannigan, Martha Wood, Michael Wood, Screen

 
Tramstop, Marcus Breen, Screen

1999  
Cloh!neing God N Ange-Lz_, Mary Anne Breeze, web

2013  
Wish4[0], Mary Anne Breeze, Single channel video work

Wish4[0] is based on a poetic interpretation of the maxim “Be Careful What You Wish For”. The title of the work is a truncation – and linguistic reworking – of the idea of wish fulfilment in the digital age, one where willing users and audience members are subjected to an “always-on”...

2001  
 
'Messiaen at Mt Keira', Kurt Brereton, Video

animation