Eugenia Raskopoulos was born in the Czech Republic in 1959. Since her first solo exhibition in 1984 at Darklight Photography Gallery Fremantle, Western Australia, Raskopoulos has used photography and video to explore abstract visuals and settings, concentrating on themes of communication, interaction and the ambiguity of language. Works such as Footnotes (2012) – a three screen installation work of images of feet daubed with red letters that aligned to suggest words – highlighted the tendency in viewers to interpret coherence within abstraction.
2012 - Footnotes Art Gallery of New South Wales, Sydney, NSW; Vestiges William Wright // Artists, Sydney, NSW.
2009 - Writing Towards Disappearance, Arc One Gallery, Melbourne, VIC
2008 - Words are not hard – Intrude 366, Project Zendai MoMA, Shanghai, China
2006 - In a word, Arc One Gallery Melbourne, VIC; Words are Not Hard, Casula Powerhouse, NSW
2005 - There are no words, Artspace, Sydney, NSW
2003 - Ostinato, Arc One at Span, Melbourne, VIC
2002 - Ostinato, Stills Gallery, Sydney, NSW
2001 - Turn on the tongue, Centre for Contemporary Photography, Melbourne, VIC
2000 - Turn on the tongue, Artspace, Sydney, NSW; With(out) voice Photosynkyria 2000, AAS Gallery, Thessaloniki, Greece; Untitled 00, Gallery 4A Sydney, NSW.
