Stephen Jones' Performance Work as Social Work, (1977) documents some of the performance and installation work of the 2nd Biennale of Sydney (November, 1976) at the Art Gallery of NSW. Shot by Stephen Jones and Fujiko Nakaya with an Akai 1/4" Colour portapak, and edited at the Alexander Mackie CAE, School of Art, it includes sections on installations by Fujiko Nakaya, Marr Grounds, and the performance installtions of Stuart Brisley, Jim Allen, Michael Nicholson, Micahel MacMillan, as well as some of the static works.

Featuring in order of appearance
Fujiko Nakaya: Fog Sculpture, (1976)
Michael Nicholson: Poli-Poll-Pool-Shots, (1976)
Michael McMillen: The Trunk Robot, (1975)
Terry Reid: Sydney Secret Exchange, (n.d.)
Natsuyuki Nakanishi: Eggs–Compact Objects, (n.d.)
William “Jim” Allen: There Are Always Elephants To Be Made Drunk, (1976)
Robert Smithson: Rocks and Mirror Square No.2, (1972)
John Penny: Untitled, (1976)
Marr Grounds: Second Art Bit Installation, (1976)
Stuart Brisley: Standing, Lying, Walking and Talking, (1976)
Giuseppe Penone: Alberto Scortecciato, (1968-76)
Insik Quac: untitled, (1976) [a stone stood on its end]
Joseph Beuys: Eurasia, (1966)
Carl Plackman: Your Voice Must Be Heard/Herd (People Meet), (1976)
John Davis: Nomad, (1976)
Michael Craig-Martin: An Oak Tree (1973)