Artist Deborah Kelly was born in Melbourne in 1962. She began making socially engaged artwork in 1983 and has exhibited across Australia and internationally.
Earlier in her career Kelly worked as a cartoonist; in 1985 she was represented in ‘The Heidelberg School Picnic’, the State Library of Victoria exhibition of the work of contemporary Australian cartoonists. In 1991 she participated in ‘Out of Line’ with Jane Cafarella, Trudy Clutterbok, Kaz Cooke , Bronwyn Halls, Judy Horacek , Kathleen McCann, Nicole McKinnon, Joan Rosser and Jo Waite . Her cartooning work was primarily made for print media rather than exhibition and was published extensively around Australia from 1981 to 1988.
The media through which she worked became increasingly varied after 1989. Her photomedia project Hey, hetero! (2001), created in collaboration with Tina Fiveash , has been displayed on bus shelters, billboards, screens, magazines, newspapers, and text books in Sydney, Melbourne, Wellington, Glasgow, Berlin, Minneapolis and Claremont. Her 2009 work Tank Man Tango: a Tiananmen Memorial was a distributed dancing memorial for the 20th anniversary of the Tiananmen Square massacre and was performed in over 20 cities and towns around the world.
At the 2008 Singapore Biennale, her work involved projections onto clouds over the city; this was a reiteration of her Museum of Contemporary Art commissioned work, Beware of the God , first shown in 2005.
Kelly is a founding member of boat-people.org, a group of Sydney-based art and media workers who collaborate on public work about issues of race, history and borders.
Kelly also began creating gallery-based artworks in 1988 and continued this practice in parallel to her public work. Solo shows in 2007, 2009, 2010 and 2011 featured collage, video and installation work.
Kelly lives and works in Sydney and Melbourne.
(From Design Art & Australia Online)
Selected solo exhibitions: ‘Deborah Kelly: Awfully Beastly’, Gallery Barry Keldoulis, Sydney, 2011; ‘Make More Monsters’, Artspace, Sydney, 2011; ‘Tender Cuts’, Gallery Barry Keldoulis, Sydney, 2010; ‘Deborah Kelly’, Contemporary Art Centre of South Australia, Adelaide, 2009; ‘Big Butch Billboard’, Australian Centre for Photography, Sydney, 2009.
Selected group exhibitions: ‘Burn What You Cannot Steal’, Galerija Nova, Zagreb, Croatia, 2011; ‘Love Never Dies’, Form + Content Gallery, Minneapolis, United States, 2010; Singapore Biennale, Singapore, 2008; ‘Multiplicity’, Museum of Contemporary Art, Sydney, 2006; ‘Interesting Times: Focus on Australian Contemporary Art’, Museum of Contemporary Art, Sydney, 2005.